• photography literally means “to write light”

  • so, it only makes sense to start photography by understanding what light is, who is making the writing happen and what’s writing the light.


dual nature of light

  • from a physics standpoint, light is a bit of a split personality if you will.

  • one avatar of light is that of a wave, with alternating electric and magnetic waves perpendicular to each other propagating through space

  • light, alternatively, can be teated as a sea of photons, which are little packets of energy
    • this split-persona of light is called wave-particle duality
  • the speed at which light travels is the fastest anything in known existence can travel
    • as it travels through space, it slows down in the medium it travels in
    • when it collides with objects, it gets reflected from, or absorbed by them

working paradigms

  • from a living organism’s standpoint
    • an optimal amount of light is necessary to observe its environment for survival
  • from the standpoint of a living organism that wants to take pictures with a camera
    • light is necessary to illuminate the scene of photographic interest
  • from a camera’s standpoint
    • light is the signal that it’s sensor captures and stores

human eye and light

  • human vision can see over a large range of brightness magnitude
    • from very dark conditions of a new moon (scotopic)
    • to the bright sunlight of the noon (photopic)
    • and everything in between (mesopic)
  • this range spans 12 log magnitudes of brightness
    • achieved by using rods and cones together
  • photoreceptors in the human eye are of two types
    • rods
    • cones
  • rods are for dim light conditions (scotopic)
  • cones are for bright conditions (photopic)
  • there is an overlap for mesopic conditions in both rods and cones

rods

  • rods are extremely sensitive to light
    • there is one (1) type of rod
  • rods do not aid in color perception

  • rods gather light from a larger field of the visual domain
    • rods are for low light and broad picture vision

cones

  • cones are less sensitive than rods to light
    • in humans there are three (3) types of cones
    • each has a preferred wavelength of light that it responds maximally to
    • this enables colors to be perceived
  • cones enable color perception
  • under photopic conditions, we see vibrant colors
  • under mesopic conditions, we see muted colors

  • cones gather light from a small field
    • cones are for focussed, bright light vision with fine details